In a new movie, Jake Gyllenhaal plays a cameraman looking for trouble. A review by Anthony Lane, in this week’s issue:

The scariest thing about the new Jake Gyllenhaal film, “Nightcrawler,” is Jake Gyllenhaal. Or, to be precise, Jake Gyllenhaal’s eyes. They are sunk in their sockets. They have dispensed with blinking, and you can understand why; it would mean missing something important. They glare and they gleam, like the eyes of a man who is minutes away from death, furious with fever, and refusing to slip away in peace. 

Illustration by Boris Pelcer

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There is a group of school students in Argentina who have made a documentary about dolphin and whale captivity, and have entered it into a contest. Whichever film wins the contest is then aired on TV, where it will reach and educate a massive amount of otherwise ill-informed people.

As you may or may not know, a marine amusement park called “Mundo Marino” is in Argentina, where animals are kept in filthy, cramped enclosures with highly substandard care.

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Uneducated tourists continue to pay to see these animals, and by educating them, we could help bring this industry down and hopefully create better lives for these innocent and mistreated animals.

PLEASE VOTE FOR THIS FILM HERE, IT’S EVER SO IMPORTANT THAT THIS INFORMATION REACHES MORE PEOPLE. IT TAKES 30 SECONDS, PLEASE DO IT

Laurence Fishburne didn’t just find his way into the saddest Clint Eastwood movie and the saddest Superman movie…

5 Actors Who Got Typecast in Bizarrely Specific Ways

#4. Laurence Fishburne Has Played Two Characters Who Were Originally White — and Both Characters Are Named White

The most recent example was in the Zack Snyder reboot of the Superman franchise, Man of Steel. The editor-in-chief of the Daily Planet, Perry White, has been traditionally portrayed in film, TV, and in the comics as a middle-aged white guy. Snyder cast Fishburne in the role because he’s cool, and if anyone raises a stink about Perry White not being white like he has been for 80 years, they’re going to sound like a real dick, so who cares?

That fact is mildly interesting at best. Here’s where it gets silly: The first time this happened was in Mystic River, the movie in which director Clint Eastwood realized that the key to getting an Oscar nomination is to make bleak movies everyone wishes they had never seen.

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