• Mushroom
  • Can
  • Tago Mago

Mushroom - Can

I was born and I was dead…

Meanwhile in Germany another Japanese expatriate was at the cutting edge of rock music in 1971. Kenji ‘Damo’ Suzuki was a wandering busker when Holger Czukay and Jaki Liebezeit spotted him outside a street cafe in Munich just hours before a gig. With previous singer Malcolm Mooney back to the US after a nervous breakdown allegedly suffered while ’caught in a Can groove’ the band were in urgent need of a replacement. Suzuki’s singing, or ‘praying’, impressed them and they invited him to join the group on the spot. And he did, performing that evening even though he only knew a few guitar chords and improvised most of his lyrics. The spirit of the times. After bedding in with Soundtracks, the full Suzuki-era Can experience began with Tago Mago. Around Liebezeit’s amazing tribal wave of immersive drumming the band built worlds of surreal unease, psychedelic inner spaces, druggy, improvised grooves spliced together in the studio by Czukay using tape edits to compose the music from epic jams.  


"Germany’s avant-guarde scene in the sixties and seventies established a relationship with modern music similar to the one “Citizen Kane” eventually forged with film, in that basically everybody working today is either directly influenced by it or they’re influenced by someone who was. Welcome to this distillation of a scene than has received an abundance of credit, but still seems underrated.  Meine damen und herren, dies ist krautrock.”

Check out this playlist from one of my favorite blogs

Electric Adolescence