“I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see.”— Dziga Vertov (1896 - 1954)

Left to right, top to bottom:

Man With a Movie Camera (Dziga Vertov, 1929)
Un Chien Andalou (Luis Buñuel, 1929)
Meshes of the Afternoon (Maya Deren/Alexander Hammid, 1943)
The Spiral Staircase (Robert Siodmak, 1945)
Vertigo (Alfred Hitchcock, 1958)
Psycho (Alfred Hitchcock, 1960)
Peeping Tom (Michael Powell, 1960)
Alphaville (Jean-Luc Godard, 1965)
Repulsion (Roman Polanski, 1965)
2001: A Space Odyssey (Stanley Kubrick, 1968)
McCabe & Mrs. Miller (Robert Altman, 1971)
Deep Red (Dario Argento, 1975)
Rubens (Roland Verhavert, 1977)
Blade Runner (Ridley Scott, 1982)
Requiem for a Dream (Darren Aronofsky, 2000)
Donnie Darko (Richard Kelly, 2001)
Gangs of New York (Martin Scorsese, 2002)
The Diving Bell and the Butterfly (Julian Schnabel, 2007) 

(via David Liu)

Soviet poster for MAN WITH A MOVIE CAMERA (Dziga Vertov, USSR, 1929)

Designers: Vladimir (1899-1982) and Georgii Stenberg (1900-1933)

Poster source: Christie’s

MAN WITH A MOVIE CAMERA was just voted the Greatest Documentary of All Time in a Sight & Sound poll of 340 critics, programmers and filmmakers.

(And this poster was sold for $176,000 at auction in November 2012, making it one of the ten most expensive movie posters of all time.)