But that’s the great thing about libraries: They don’t make those judgement calls — nor should they. If it’s in the zeitgeist, it should be in the library.

Except that they do. Go to your local library and say to the librarian there, “what should I read next?” And they’ll tell you. I’d wager few would suggest Fifty Shades before many, many other titles.

So, on the one hand, it’s not for librarians to decide what they offer. On the other, it is for them to suggest what you should read. And buying a lot of copies of something is a way of doing that.

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There are a few things in this article that I disagree with, but it’s these three paragraphs that are at the crux of it. There’s an abrupt segue here where collection development is suddenly equated to readers’ advisory, and I am not okay with that, because that assumption forms the basis for much of the rest of the article. Buying a lot of copies of something can be a way to suggest a book—but that does not mean that it does

I’d argue that, when it comes to the finite book budgets of libraries across the nation, good collection development is occasionally at loggerheads with good readers’ advisory, and this is one of those times. Good collection development involves being responsive to the requests of the community, whatever you or any other interested observer thinks of the legitimacy of those requests. Good readers’ advisory involves being well-read, keeping recommended books in the library, and, incidentally, answering the question “what should I read next?” not just with a book handed across the counter, but with a conversation and a list of titles that very probably are not related to the librarian’s personal reading habits. 

When a situation like this leads to a tie, in the sense that you’ve got X dollars and you have to figure out the best way to spend it, my feeling is that the tie should go to the patron. It’s not our money. It’s their money, and we are the stewards of it. When I see people say, “Well, I wouldn’t spend $23k that way,” I feel they’re missing the point. Personally, if I had $23k to spend on books, I’d buy 23,000 copies of Stoner by John Williams and use them to construct a small hut in the middle of the Library, where I would take power naps throughout the day, and occasionally throw a dance party. But I don’t have that money; the Library does, and it was given to us by our patrons, who as a result ought to have some say in how it is spent.

We are trusted to spend that money on books that we have professionally evaluated and decided should be in the collection, but we are also trusted to provide items that people are asking for. If demand is high enough for a book that in a system of over half a million cardholders, 300 ebooks are needed to meet it, then that’s where the rubber meets the road in the library business, as my boss would say. 

I appreciate that this attitude resonates with Greenfield, but it does more than resonate with me—it is my attitude, and it is how I do my job. (Not just because I actually believe it, by the way, though I do—but also because the collection development policy of my workplace requires it.) Ebooks being accessible in public libraries is a complex issue. There are many ways to improve it, and I agree that libraries will need to change a few things in the process, but it’s beyond the reach of very simple advice.

I think many of us still suffer from the delusion that the cool kids sit in the back. This is not the case at conferences. If it’s a session you’re really excited about, make sure to get a seat close to the front. This isn’t to score proverbial brownie points, it’s more to be prepared for human error. Sometimes there aren’t enough microphones, or a panelist just talks softly. Be the cool kid that sits up front and hears everything correctly.
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A Trendsetter’s Guide to Conferences | Publishing Trendsetter

Getting ready for BEA? I wrote a piece about getting the most of attending a conference, particularly as a young person, after DBW 2014, and I think it’s about time to bust it out again. It may not be the sagest wisdom of all time, but there’s some wisdom here.

Our Ebook Future | The Digital Shift:

The reading ecosystem is evolving fast, even as you read this. Facing the rapid transition to ebooks together, rather than in isolated camps, librarians, publishers, authors, and readers can ensure that we meet our missions on all fronts. This series of conversations is a start, aspiring to illuminate the issues and opportunities by placing librarians and publishers at the same table. The personalities here range from Random House’s Madeline McIntosh, who stresses a commonality between publishers and librarians, to HarperCollins’s Josh Marwell, who strives to emphasize openness, to Melville House’s Dennis Johnson, who illuminates the indie perspective.

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