Now composing…

"The Sock Puppet is Silenced"

Spending it’s whole life controlled by someone else’s hand
The Sock Puppet’s thoughts were all meticulously pre-planned.
It was free to talk and see, but all it saw was approved
The Hand making sure that all nasty bits were removed.

But was it enough?  Could the Puppeteer do more?
Sometimes the world out there was too hard to ignore :’-/
It would just confuse the poor Puppet to hear all those lies
So the kindly Puppeteer stitched shut the Sock’s mouth, ears, and eyes.

Now the tender Puppet need never worry about what is “out there”
It would just bother them anyways, and it’s pointless to care.
Finally free from it’s troubles, the blind mute Puppet goes to sleep
And the heroic Puppeteer kisses the forehead of it’s sweet lil’ sheep.

Posted 9/20/2012

Wanna star in your very own Daily Doodle?  CLICK HERE!


Hey guys! Sorry for the long post.

To kind of celebrate hitting 1,200 followers here and 200 followers on the Chapel Also Ran only blog, I wanted to upload the basic process of how I make a page. So I made sure to export all of the phases I generally hit whenever I make a comic page for CAR.

You can read the comic in full here! And again, thank you so much guys for your support! Under the cut I’ll go into what happens in each phase.

Read More

Using Photoshop's "Black & White" adjustment vs. rough blue line art.

When I draw a thing, I often first draw it rough using Col-Erase™ blue pencil. Then I go over top and make it look NICER using a dark pencil.

I used to remove the blue pencil from the image in Photoshop by selecting the “blue” channel of the RGB scan and turning that into the line art. That was the old way! This is the new way, and it is better!

Look at this drawing. This is what a raw scan usually looks like. See the faint blue lines in there? Ick.


This is what it looks like when I select the blue RGB channel:



It’s pretty effective, but not a critical hit. I can still see faint traces of the blue lines:



Normally I wouldn’t worry about it. I’d just blow ‘em out by increasing the contrast (through the Curves or Levels adjustment). BUT WHY SETTLE FOR THAT?


I don’t know when Photoshop introduced the Black & White adjustment tool, but it’s my new best friend. Let’s make a Black & White adjustment layer above our raw scan.


You’ll get this fun palette popping up:


… but you’ll still see the faint blue lines. They’ll be in black & white, but they’re still very visible. HOLD ON, that’s because we haven’t DONE ANYTHING yet.

CLICK! I select the “Blue Filter" preset:


Now look where those blue lines used to be:


You can even jack the sliders up to make your old blue lines look BRIGHTER, which is no big deal because our goal in the end will be to make that light-grey that used to be my white paper actually look white.


I’ma add a Curves adjustment layer.


Fiddle with the curves til your paper surface is white and your lines look about as good as they can look:


YOU CAN STOP NOW IF THAT’S ALL YOU WANT. Here’s some bonus shizz. I’m going to show you how to make the most useful line art you can have. Go to the Channels palette and command-click (or CTRL-click if you need your instructions to be that specific to your own personal life experience) the RGB channel’s thumbnail:


You’ll get a selection in the shape of your lines. Important : INVERT SELECTION. Don’t “invert” the contents of the selection, use the INVERT SELECTION menu thing or just press command-shift-I. Then make a new layer to accommodate your line art:


Fill the selection with your colour of choice:


Ta-da! You have useful line art. Why is this more useful than simply setting your line art layer to “Multiply?” Well, give it a try and see if you can’t come up with your own reason. Or just trust me. It’s MORE FLEXIBLE.