boris-berezovsky

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Ravel
Piano Concerto in D for the left hand

Boris Berezovsky
Warsaw Symphony Orch.
Jean-Jacques Kantorow

Buford Balony hopes it's the end for Chelski

The billionaire owner of Barclays Premier League club Chelsea was accused of betraying the man who allegedly helped to build his fortune so that he could curry favour with Russian Prime Minister Vladimir Putin.

Roman Abramovich, in a rare public appearance, listened as lawyers for Boris Berezovsky told the High Court in London that the Russian oligarch had taken advantage of his former mentor’s fall from grace to enrich himself by bullying him out of billions of dollars worth of shares.

Berezovsky, 65, is suing Abramovich for more than $6 billion. He claims that he was intimidated by Abramovich, 44, into selling his stake in Sibneft, an oil company, for far less than it was worth after being forced to flee Russia, having fallen out with the Kremlin.

Berezovsky claims that Abramovich coerced him into selling his 21.5 percent stake in Sibneft, which was created through the privatization ofRussia’s oil infrastructure, for only $1.3 billion, when it was worth up to $6 billion.

He claims Abramovich threatened that his assets would be seized by the Kremlin and his friends in Russia would be in danger if he did not sell the shares for less than they were worth.

This is denied by Abramovich, who argues that they were never business partners.

The case, which has been through four years of preliminary skirmishes, is one of the biggest trials to have come before the English courts. Insiders claim that it will put the publicity-shy Abramovich’s business dealings under uncomfortable scrutiny and expose his ties with the Kremlin.

The trial is expected to last three months.

Buford Balony says: Hopefully this is the end for Chelski and they return to where they belong…at the bottom of the table.

The circumstances of his death were unclear, though there were unconfirmed claims that the former power-broker of Russian politics had killed himself at the property in Ascot.

In an interview with Forbes Russia magazine on the eve of his death, Berezovsky said he had lost “meaning” from his life and wanted to return to Russia. He said he had “underestimated how important” Russia was to him, and he felt uncomfortable as an immigrant in Britain.

Berezovsky is believed to have written to the Russian president, Vladimir Putin, recently to float the idea of going back to his homeland. If he did, he said, he had no interest in engaging in politics and would focus on science.

Last year, Berezovsky lost a high-profile civil court case against another Russian oligarch, Roman Abramovich. The case, the largest civil court case in British history, reportedly put Berezovsky in a bad spot, as it had damaged his reputation and hurt him financially. At the time of the ruling, the judge said this about Berezovsky: "I found Mr Berezovsky an unimpressive, and inherently unreliable, witness, who regarded truth as a transitory, flexible concept, which could be moulded to suit his current purposes."

London Trial Provides Rare Peek Into Russian Wealth And Power

The scene: A London courtroom.

The players: Two Russian oligarchs with a long personal history, and the $5.8 billion lawsuit that comes between them.

The plot: A high-stakes world of unwritten agreements over vast fortunes, extortion, and extravagant lifestyles in which millions of dollars are thrown around like petty change…[READ MORE]

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Modest Mussorgsky - Night on Bald Mountain, 1867. Reorchestrated and adapted by Nikolai Rimsky-Korsakov, 1886.

Transcription for Solo Piano by Konstantin Chernov, adapted by Boris Berezovsky.

Performed by Boris Berezovsky.

The Night on Bald Mountain, a “fantasy for orchestra,” was originally conceived by Mussorgsky as a tone poem describing the Russian legend that talks of a witches’ sabbath taking place on St. John’s Night on the bald mountain (Lysa Hora) near Kiev. Rimsky-Korsakov’s revision of the piece stays true to the program, as seen below.

"Subterranean sounds of unearthly voices. Appearance of the Spirits of Darkness, followed by that of Chornobog. Glorification of Chornobog and celebration of the Black Mass. Witches’ Sabbath. At the height of the orgy, the bell of the little village church is heard from afar. The Spirits of Darkness are dispersed. Daybreak."

23 января 2015, в МССМШ им. Гнесиных с сольным концертом выступит пианист Борис Березовский.

Концерт состоится в Органном зале исторического здания школы по адресу Знаменка, 12.

Начало в 19.00, вход свободный.

В программе коцерта:

Э. Григ. Соната ми минор, ор. 7
Лирические пьесы

М. Балакирев. Скерцо № 2 си-бемоль минор
«Исламей», восточная фантазия

П. Чайковский. Вариации фа мажор, ор. 19
Думка, ор. 59
Шесть пьес из цикла «Времена года»

Борис Березовский – один из самых востребованных пианистов мира. Родился в 1969 году в Москве, в музыкальной семье. Учился в ССМШ им. Гнесиных у Ирины Радзевич и Измаила Альтермана. В 1990 г. окончил Московскую консерваторию по классу фортепиано у Элисо Вирсаладзе.

Уже после победы на конкурсе Чайковского брал частные уроки у Александра Саца, который помог найти свой стиль, а также раскрыл молодому пианисту творчество Николая Метнера. В настоящее время Борис Березовский — инициатор, учредитель и художественный руководитель Международного фестиваля Николая Метнера («Метнер-фестиваль»), который с 2006 г. проходит в Москве, Екатеринбурге и Владимире.

В 1991 г. уехал за границу. Долгое время жил в Лондоне, в настоящее время — в Брюсселе.

Музыкант выступает с ведущими оркестрами мира, среди которых Нью-Йоркский и Лондонский филармонические, Датский национальный оркестр радио, Филадельфийский и Бирмингемский симфонические, оркестр BBC, новый японский оркестр филармонии. Пианист постоянно выступает с сольными концертами в Берлине, Амстердаме, Лондоне; принимает участие в фестивалях камерной музыки по всему миру.

Дискография Березовского обширна. Последние записи всех концертов Бетховена со Шведским камерным оркестром получила высокую оценку критики. Сонаты Рахманинова в интерпретации Березовского удостоена престижной награды «Ассоциации звукозаписи Германии», а компакт-диск с музыкой Равеля отмечен в классических чартах ведущих западных компаний. В последнее время музыкант все чаще выступает в России.

Источник публикации: classicalmusicnews.ru

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Sergei Rachmaninov | Prelude Op.23 No.4 in D major (1901-03)

Boris Berezovksy, piano

A piece that is often overshadowed by it’s much more famous antecedent, the “march-prelude” Op.23 No.5, the more subtle prelude in D major might remind one of rain falling on the Russian pastoral—an effect achieved in no small part by the constant triple-duple polyrhythm. The piece seems to share some figuring and textural details with the renowned Andante movement from the sonata for cello and piano, composed within the same period. [I will add as an aside that it is nice to see Berezovsky’s more tender side—though he still plays the piece quite fast compared to, say, Ashkenazy, it is well-employed and extremely tasteful here.]

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Balakirev - Islamey - Boris Berezovsky

In the case of Fashion vs. Abramovich

"[Mr Berezovsky was] an unimpressive, and inherently unreliable, witness, who regarded truth as a transitory, flexible concept, which could be moulded to suit his current purposes. … [Mr Abramovich was] a truthful, and on the whole reliable, witness.

Brother: Quote taken from the judge in the case Roman won yesterday. The addendum to the end of that quote should be ‘He also had a henchman with a gun to my head.’ Roman is the best; why on earth would you take him to court? I wouldn’t take him to court even if the case was Are stonewashed jeans cool: the me vs. Roman Abramovich trial.

Me: Um, I would totally prosecute Roman in the Are stonewashed jeans cool case. This would be Exhibit A:

I probably wouldn’t even have to provide witnesses or a closing statement and I’d still win the case.

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Boris Berezovsky plays Nikolai Medtner's Fairy Tales

Op.14 no.2 (March of the Paladin)

Op.20 no.2 (Campanella)

Op 51 no.2

Watch on likungmusique.tumblr.com

Liszt - Transcendental Etude No.12, Chasse-neige    Piano:Boris Berezovsky

李斯特:超技練習曲 第12首, “耙雪” 鋼琴:貝瑞佐夫斯基

今天心裡的音樂。

李斯特的鋼琴作品以艱難技巧著稱, 演奏家需要一雙大手, 兼顧的技巧, 還要有肌耐力和爆發力才能勝任, 儘管譜上是滿滿的音符, 但李斯特的作品, 往往最深情富有流暢音樂性, 技巧只是他表達音樂的方法, 美好的旋律和情緒使他成為浪漫時期最具代表性的人物之一。