Virgin de Guadalupe
2012 pigment transfer print of 2008 digital collage
Available for bid at the Sweet Relief online art auction

Hey friends,

If you want to do me a mitzvah while acquiring some of my original art, please head over to this website to bid on several pieces of mine as well as others’ work:


I donated work to this show to help out the family of one of my dearest friends and fellow artists, Marisa Avelar, whose family is grappling with a mental illness which has stricken one of their own. What’s worse, the mounting medical bills and daily caring for the one afflicted are a terrible burden on Marisa’s parents, both of whom are fast approaching their 70’s.

I donated a ton of work to this, as have many other artists. It’s a worthy cause and your help, support, and reblogs are much appreciated! 


Tânia Falcão and Avelar Lucas are two designers / musicians / illustrators from Portugal who also happen to be a married couple. A big part of their inspiration comes from music. They are both multi-instrumentalists and listen to many different genres. They take the same approach to art as to music, not being constrained by labels. You can find their work posted on Tumblr as falcaolucasart.



Read the interview from Falcão Lucas, the illustrative team created by (married couple) Tânia Falcão and Avelar Lucas.

How did you two come together and start making art?

Tânia Falcão: We met 12 years ago doing tequila shots in a bar, and when we sobered up we realized that we had many things in common: the love of art, design, and music. Later we started working together in an advertising agency, and 2 years ago we decided it was time to create our own project.

When did you start making GIFs? What was the first GIF you made?

Avelar Lucas: I started making GIFs in 1999, using 3D Studio Max, Macromedia Flash, and Image Ready. Back then I was working as a web designer and some clients wanted GIF animations for their sites. In 2004, (Tania and I) started creating GIFs together and uploading them on B3ta. This GIF made in 2004 (a Cat on the wheel) was one of the first ones we created together and one of our most popular back then:

What kind of a process do you two go through to create your GIF art?

TF: It depends. Sometimes one of us does an illustration and thinks “that would look really nice animated” and then the other creates an animation for it.  
Most times, however, one of us starts experimenting with shapes, images, whatever we can get our hands on, has a “mental diarrhea,” and creates new animations from scratch. As you may notice by our GIFs and illustrations, we’re a bit hectic when it comes to subject and style. We’re a bit like Dug from Up, happily doing whatever we’re doing and all of a sudden “Squirrel!”.

The perfect loop seems to be important in your GIFs (we’ve found ourselves in a trance looking at your GIFs more than once :) ) What attracts you to the GIF format?

TF: We find the idea of the perfect loop very appealing because of the illusion of a few frames creating a sense of “eternity.” That’s also one of the GIF features that attracts us more: the not knowing where it starts and where it ends. 

Who are a few of your favourite artists?

TF: Han Hoogerbrugge has always been one our favourite artists. He was the first one we saw using GIF animations as an art form in 1998 with his Neurotica series. He is beyond a doubt one of our biggest inspirations. Jean Giraud (Moebius) is another one of our biggest inspirations for his illustration style and skill and all the incredible universes he created from scratch.

Current favorite GIF?

TF: One of ours? Always the last one.
From someone else? The 3D printed bear walking up the stairs:

Want more? Check out more beautiful GIF art from Falcão Lucas on Giphy.com…and if you have a Mac iOS 10.8 or higher be sure to download the screensaver full of infinite looping awesomeness!


Um novo Junho vem aí e nada mais oportuno do que relembrar as jornadas de Junho do ano passado - um mês histórico para os movimentos sociais e mobilizações populares no Brasil. Confira a série de 4 artigos de Idelber Avelar - um trabalho jornalístico primoroso - sobre “O Mistério de Junho”:

I: Os protestos de 2013 e a Amazônia

II: Os protestos de 2013 e o legado da ditadura

III: Os protestos de 2013 e a quebra do pacto lulista

IV: Os protestos de 2013 e a crise de representatividade