Raj Bohemian

We liked to do things casually. We called at the last minute. We messaged one another from our hand-held devices. Sometimes our names were on exclusive guest lists (though we were poor, we were beautiful, and people liked to have us around), but often we preferred to do something else—attend a friend’s opening, drink in after-hours clubs or the room above a pub, trek off to remote suburbs to see a band play in a warehouse. We went dancing whenever we felt like it (none of us had regular jobs), and when we didn’t we stayed in, watching movies and getting high. Someone always had something new or special—illegal pre-releases of Hollywood blockbusters, dubs of 8-mm. shorts from the nineteen-seventies. We watched next summer’s exploding airplanes, Viennese Actionists masturbating onto operating tables. Raw meat and Nick Cage. Whatever we watched was, by definition, good, because we’d watched it, because it had belonged—at least, temporarily—to us. By the time the wider world caught up—which always happened, sooner or later—we’d usually got bored and moved on. We had long since given up mourning the loss of our various enthusiasms. We’d learned to discard them lightly. It was the same with clubs and bars. Wherever we went would be written about in magazines three or four months later. A single mention on a blog, and a place that had been spangled with beautiful, interesting faces would be swamped by young bankers in button-down shirts, nervously analyzing the room to see if they were having fun.