For the next 250 pages, Vermes walks us through months during which Hitler, resurrected by unexplained means, ­overcomes every presented obstacle. A newspaper vendor discovers him in ­uniform and assumes he must be an impersonator playing for dark comedy — the word Galgenhumor belongs, after all, to the Germans — and gives him a bed. Producers from an ‘Ali G’-style comedy show (hosted by the unimaginatively named 'Ali Gagmez’) offer him a spot on the program. His first appearance quickly accrues hundreds of thousands of YouTube views. Soon Hitler gets his own show, website, production studio, even a back-alley beating by right-wingers who assume he’s making fun of himself. Eventually he also has a deal to write about his life. 'I’m calling to ask whether you’d like to write a book?’ the editor says. 'I already have,’ Hitler replies. 'Two, in fact.’
—  Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”