Assassin’s Creed fail reveals how sexist animation standards are failing real women,

This is the same gorgeously animated, acclaimed franchise that devotes an entire subset of game play to tree-climbing. Swinging from limb to limb high above the incredibly detailed world? High on the priority list of Assassin’s Creed features. Putting a single woman into an active role in the game? Nah.

Earlier this year, the lead animator of Frozen protested that Disney's 3-D animation software literally didn’t possess the ability to make women’s faces look distinguishable from one another.

This is the same studio that employed a visual effects team of over 40 people in order to design the unique properties of snowflakes. Literally, the women of Tangled and Frozen were less distinguishable to Disney animation software than a pile of snow.

The tangle of issues and layers of sexism that contribute to this situation is overwhelming, but at the core is the fundamentally flawed way women are portrayed in comics, animation, and gaming: a feedback loop of sexual objectification and industry complacence.  

When you perpetuate the idea, across various art-based mediums, that women in drawn art, comics, and animation must and should look and move with flowy, exaggerated gestures, graceful movements, and hips, chest, and ass thrust forward in order to pander to the male gaze at all times, then you make it easier, later on, to use your own sexist animation and art standards as an excuse for why you don’t have more women.

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We take you on a visual walk-through of the gaming industry and animation culture’s resistance to making women look, act, and move like human beings.

'When I first met (Cumberbatch), it was shocking how much he looked like Assange,' Bruhl says. 'But then the first thing he said to me, he told me what I’d had for breakfast, that I was left-handed and recommended that I iron my shirt better.

'I said, ‘Well, hi Sherlock. I’m going to be your Watson for the next two or three months.’

'This was before he even said hi,' Bruhl says, adding that Cumberbatch immediately apologized. 'He said, I can’t help it.'

—  Daniel Bruhl on Benedict for Canoe [x]
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