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  1. 44
    The Key to Success in Filmmaking

    While this article in Forbes on Why Immigrants Make Better Entrepreneurs is a bit of pulp, it’s a topic that generates a lot of casual speculation on why some people get a “big break” and others don’t.  The article describes an immigrant, Christian Gheorghe, that was willing to take any job - hauling plywood, driving limos - while simultaneously improving on his craft and chatting up everyone that crossed his path.  His life essentially changed the day that Andrew Saxe entered Gheorghe’s limo.  Saxe needed help programming and Gheorghe had the skill set and the time to oblige.  Saxe Marketing was ultimately sold for $30 million to another firm in 1997.  Gheorghe went on to use his cash windfall to achieve even greater success in Silicon Valley.

    The key point here (and one that the article overlooks) is that success is never achieved on your own.  Even if you’re an immigrant.  It’s always a combination of opportunity and preparedness.  Assuming equal parts hard work and diligence, the division between those that achieve and those who do not is drawn along the line of opportunity.  People in filmmaking who have not achieved their goals in spite of their hard work often see the absence of a Christian Gheorghe-like serendipitous encounter.  Reasonably so, almost everything in this industry happens because of who you know; we can’t put our resumé on LinkedIn, list 10 years of experience, and get a job directing, producing, or editing feature films.  If you meet the right person or you’re born into the right family, you have a chance.  Anything short of that, you don’t.  Not even Charlie Chaplin, who came from a dirt-poor family in London, made movies on his own.

    The maddening randomness is almost embittering.  But the honest-to-God truth is that none of this matters.  If you keep putting yourself out there, if you keep pushing your limits, if you keep working for/with people you like, and if you keep improving your craft, you improve the odds of getting that Christian Gheorghe break.  If you never get it?  Who cares.  At least you’re doing something you love and you’re living a full life.  The only real drag is that if you never get a break, you’ll have to quit someday - either by force of nature or fact of finance.  But we’re all in this for the ride, not the result; we all know how this story ultimately ends and it ends the same way for everyone.   Let go, enjoy it, and make movies while you still can.

     
  2. 21

    Today one of my close friends discovered she has synethesia. The look on her face when I broke it to her that most people can’t make rainbows out of letters or families out of numbers and that, more or less, our world is black and white compared to hers was probably one of the most precious moments of my life.

    After she realised this she started tracing the backs of people’s jerseys, where their names are written and asking me what colours they are. I just told her they were white and for a little while I don’t think she believed me. She told me about one time when she wanted to buy a really cute case for her phone, but she couldn’t buy it because the case was a boy and her phone was a girl and that just didn’t work. When I asked her what colour my name was she told me my name started with dark blue and after that both of us got distracted by everything around us and I never found what colour the rest of my name is.

     
  3. 44
    Lovers alone wear sunlight
    e e cummings
     
  4. 10
    Tell us a story about your childhood.
    Anonymous

    alcohol and booty calls

     
  5. 3

    Competing for abundant resources like love and sex isn’t a good use of time.

     
  6. 517

    Osaka, Japan-based photographer/web designer Hideaki Hamada shoots his curiously cute boys, Haru and Mina, as they make their way through life.

    I want to take photographs of my sons so that they will be able to feel something when they grow up. These photos will be like gifts to my family in the future.


     
  7. 24
    Across that embattled short space Foreman threw punches in barrages of four and six and eight and nine, heavy maniacal slamming punches, heavy as the boom of oaken doors, bombs to the body, bolts to the head, punching until he could not breathe, backing off to breathe again and come in again, bomb again, blast again, drive and steam and slam the torso in front of him, wreck him in the arms, break through those arms, get to his ribs, dig him out, dig him out, put the dynamite in the earth, lift him, punch him, punch him up to heaven, take him out, stagger him—-great earthmover he must have sobbed to himself, kill this mad and bouncing goat.
    Mailer again.
     
  8. 40,940

    tacticalshoyu:

    French artist Mademoiselle Maurice who creates stunning geometric figures on urban surfaces using rainbows of folded origami figures. via

     
  9. 433
    [Flash 9 is required to listen to audio.]

    Goodbye (original) by Daniela Andrade

     

    swore to myself that i’d be fine
    dont know what to do cause
    baby, i’ve missed you lately

    & maybe you’ve taken someone new
    but I still think about you
    baby, I’ve missed you lately

    & if time were on our side
    could you tell me one more lie
    that we were perfect, yeah we were right
    that it wasn’t just goodbye
    that it wasn’t just goodbye


    swore to myself that i’d be fine
    dont know what to do cause
    baby, I’ve missed you lately

    & maybe i’ll take somebody new
    and you’ll be thinking about me
    baby, have you missed me lately?

    & if time were on our side
    I would tell you one more lie
    that we were perfect, yeah we were right
    and that it wasn’t just goodbye
    that it wasn’t just goodbye

    but this is goodbye 

     
  10. 13,686
    I've always wanted to be that blog where people freaked out if I followed them.