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    George StubbsRhinoceros, 1790-92 

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      Adolph Gottlieb, A, 1959

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        Camera Samsung Galaxy Nexus
        ISO 1
        Aperture f/2.75
        Exposure 1/50th
        Focal Length 3mm

        This Urs Fischer sculpture really messed with my head for a minute.

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          MAY 12 - MAY 18, 2013

          THIS WEEK’S EDITOR’S PICKS: do it (outside) at Socrates Sculpture Park, Janine Antoni and Anastasia Ax at ISCP, video_dumbo Film Festival at Eyebeam, Maria Calandra at Sardine, Joe Bradley at Gavin Brown’s enterprise + more > http://bit.ly/16E6U13

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          Janine Antoni, Loving Care, 1992, Performance with “Loving Care” hair dye, Natural Black, Dimensions variable, photographed by Prudence Cuming, Associates at Anthony d’Offay Gallery, London, 1993

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            JR Larson @ Fowler Project Space 


            WHAT POSSESSED YOU
            May 10- June 7, 2013
            Opening May 10, 6-9pm

            67 West Street, suite 216, Greenpoint, Brooklyn 


            Artists: JONATHAN DURHAM, BEN FAIN, GIGI GATEWOOD, JR LARSON,
            MOLLY LOWE, GEORGE TERRY 

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              Janine Polak, Dry Run 1-8, 2013, collage on paper, 17 x 11 in.

              Now available @ Sardine. $120

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                Camera Canon EOS REBEL T1i
                ISO 1600
                Aperture f/3.5
                Exposure 1/250th
                Focal Length 32mm

                Talia Chetrit, “Untitled (Studio #1)” 2011

                interested in work using the artist’s studio as content right now

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                  Letha Wilson at Art In General

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                    untitled on Flickr.

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                      Tony Smith, She Who Must Be Obeyed, 1975

                      From the Smithsonian American Art Museum:

                      “I always like to look at the sites in the dark because I feel that a lot of the detail is eliminated, and you can grasp the major features better.” Tony Smith, quoted in Donald Thalacker, The Place of Art in the World of Architecture, 1980

                      In March 1974 the General Services Administration commissioned Tony Smith to make a sculpture for the Department of Labor building in Washington, D.C. A few months later the artist was ready to present this maquette to the GSA Design Review Panel for final approval. Smith was concerned with getting the model safely from his studio in New Jersey to Washington, and carefully wrapped it and carried it like “a newborn child” (Thalacker, The Place of Art in the World of Architecture, 1980). The maquette had its own seat on the plane and arrived safely at National Airport. Smith hailed a taxi, and the driver, insisting that the model would be safer in the trunk than on the seat, slammed the trunk lid on one of its edges. Despite the damage to the model, the GSA panelists unanimously approved his design. Smith often titled his pieces after literary works, and this maquette was named after the central character in H. Rider Haggard’s 1887 novel She. The completed sculpture was installed in 1976 and measures 30 by 24 by 8 feet.

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