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    After learning my flight was detained 4 hours,
    I heard the announcement:
    If anyone in the vicinity of gate 4-A understands any Arabic,
    Please come to the gate immediately.

    Well—one pauses these days. Gate 4-A was my own gate. I went there.
    An older woman in full traditional Palestinian dress,
    Just like my grandma wore, was crumpled to the floor, wailing loudly.
    Help, said the flight service person. Talk to her. What is her
    Problem? we told her the flight was going to be four hours late and she
    Did this.

    I put my arm around her and spoke to her haltingly.
    Shu dow-a, shu- biduck habibti, stani stani schway, min fadlick,
    Sho bit se-wee?

    The minute she heard any words she knew—however poorly used—
    She stopped crying.

    She thought our flight had been canceled entirely.
    She needed to be in El Paso for some major medical treatment the
    Following day. I said no, no, we’re fine, you’ll get there, just late,

    Who is picking you up? Let’s call him and tell him.
    We called her son and I spoke with him in English.
    I told him I would stay with his mother till we got on the plane and
    Would ride next to her—Southwest.

    She talked to him. Then we called her other sons just for the fun of it.

    Then we called my dad and he and she spoke for a while in Arabic and
    Found out of course they had ten shared friends.

    Then I thought just for the heck of it why not call some Palestinian
    Poets I know and let them chat with her. This all took up about 2 hours.

    She was laughing a lot by then. Telling about her life. Answering
    Questions.

    She had pulled a sack of homemade mamool cookies—little powdered
    Sugar crumbly mounds stuffed with dates and nuts—out of her bag—
    And was offering them to all the women at the gate.

    To my amazement, not a single woman declined one. It was like a
    Sacrament. The traveler from Argentina, the traveler from California,
    The lovely woman from Laredo—we were all covered with the same
    Powdered sugar. And smiling. There are no better cookies.

    And then the airline broke out the free beverages from huge coolers—
    Non-alcoholic—and the two little girls for our flight, one African
    American, one Mexican American—ran around serving us all apple juice
    And lemonade and they were covered with powdered sugar too.

    And I noticed my new best friend—by now we were holding hands—
    Had a potted plant poking out of her bag, some medicinal thing,

    With green furry leaves. Such an old country traveling tradition. Always
    Carry a plant. Always stay rooted to somewhere.

    And I looked around that gate of late and weary ones and thought,
    This is the world I want to live in. The shared world.

    Not a single person in this gate—once the crying of confusion stopped
    —has seemed apprehensive about any other person.

    They took the cookies. I wanted to hug all those other women too.
    This can still happen anywhere.

    Not everything is lost.

    Naomi Shihab Nye (b. 1952), “Wandering Around an Albuquerque Airport Terminal.” I think this poem may be making the rounds, this week, but that’s as it should be. 
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      1. A fire broke out this morning at the construction site of the upcoming Sidra Medical and Research Center.

        Here’s the latest:

        UPDATE | 2:51pm

        According to the Ministry of Interior’s Arabic Twitter account, the fire has been controlled and the site is in the cooling stages:

        لاحقا للحريق في مشروع السدرة تمكنت الجهات المعنية من السيطرة على الحريق وتجري حاليا عملية التبريد

        April 3, 2013

        UPDATE | 1:02pm

        According to some Tweeters, firefighters continue to battle a fire at Sidra, more than two hours after it started:

        Fire at Sidra Hospital underground parking. Workers stand in line as buses arrive to evacuate them. @dohanews twitter.com/SilmaSuba/stat…

        April 3, 2013

        @dohanews The fire is still going at Sidra with around15 fire trucks and tankers. twitter.com/malc2001/statu…

        April 3, 2013

        UPDATE | 11:45am

        MOI has weighed in on the fire:

        Fire at an under-construction building in Sidra project. workers are evacuated without any injuries. Firefighters are continuing their job.

        April 3, 2013

        —-

        A small fire has broken out at the underground car park at Sidra Medical and Research Center, multiple sources have told Doha News.

        Civil Defense is on the scene and there have been no reported injuries. 

        Black smoke billowing from the building first caught the eye of motorists and those working/studying in the buildings across the street in Education City around 10:30am.

        According to an email sent to the Northwestern University in Qatar community:

        There is a currently small fire in the underground car park of the Sidra complex. Civil Defense are on site and in control of the situation. There is no risk to any persons on campus in NUQ, although we advise all to avoid the slope round about area with possibility of heavy traffic.

        Speaking to Doha News, a Sidra employee confirmed that the fire originated in the parking lot and added that the cause is still unknown.

        Thoughts?

        Credit: Photos by Tamador Al SulaitiMalcolm Goddard; Hamza Alony; Diala Steitieh and Nellz_21; and Alanna Alexandar

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              fuckyeahalgeria:

              Rites and craftsmanship associated with the wedding costume tradition of Tlemcen (by unesco)

              So incredibly interesting and fascinating, especially seeing the weaving in action.

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                A girl carries a pair of lambs to be reunited with their mothers for the night. On especially cold days the vulnerable young animals are kept warm in cloth bags hung in the herders’ huts.
                Blanket-draped yaks hunker down outside a young couple’s yurt on the eve of a summer trading journey.
                A nephew of the khan wears a makeshift face mask to protect himself from the biting winds that can whip through the high-altitude pamir.
                Two girls venture outside their mud hut after a hailstorm at the khan’s autumn camp beside the Aksu River.
                Herders adore their cell phones, which they acquire by trading and keep charged with solar-powered car batteries. Though useless for communication, the gadgets are used to play music and take pictures

                fotojournalismus:

                Afghanistan’s Wakhan Corridor

                Afghanistan’s Kyrgyz nomads survive in one of the most remote, high-altitude, bewitching landscapes on Earth. It’s a heavenly life—and a living hell.

                A book of Matthieu Paley’s photographs of the Kyrgyz, “Pamir: Forgotten on the Roof of the World” was published in October by La Martinière in French and Knesebeck in German. He is trying to get it printed in English, too.

                Photographs from his two latest trips in 2012 are featured in the February 2013 issue of National Geographic magazine, accompanied by a story by Michael Finkel.

                [Credit : Matthieu Paley]

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                  Recent activist footage claimed to show the remains of a Chinese-made cluster bomb at the scene of a bombing. Drawing on his online network of fellow weapons-spotters and translators, Higgins established that it was in fact a bicycle pump. “If I started putting out rubbish I’d know about it pretty quickly, because of the audience that follows me,” he says.
                  How Brown Moses exposed Syrian arms trafficking from his front room | World news | guardian.co.uk
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                    Human-trafficking survivor shares story of freedom

                    [youtube=http://www.youtube.com/watch?v=InPTWjiVc64&w=604&h=370]

                    Nine years ago, 20-year-old Sula Skiles was a Lincoln University student with a promising future in modeling. Little did she know she would become a victim and eventual survivor of human…

                    View Post

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                      deafmuslimpunx:

                      “Punk is about my struggle as a woman in India”

                      A short interview with Indian musician Tritha Sinha (who hails from Kolkata), who divides her time between India and France, and plays electronica, rock n roll, and Hindustani pop music. She sounds so badass and awesome, I wanna meet her! Check her website (and a list of her upcoming shows in Delhi)

                      via Tehelka:

                      Kolkata-born Tritha Sinha juggles three musical outfits – the solo/ acoustic TRITHA, her ethnopunk band Tritha Electric, and her Hindustani trip-hop band SPACE. She shuttles between Delhi, Kolkata and Paris, experimenting with different kinds of music.

                      How has your family influenced your music?
                      We’re a typical Bengali family – we love eating fish and listening to music. My grandfather wanted a girl in the family to be a singer. When I was five my parents introduced me to an Indian classical music guru. I opted for music over medicine; my parents were persuaded because I was very serious about it. I’ve been supporting myself from the age of 17 doing music. I react almost physically to it, which propels me to sing and compose.

                      A childhood memory?
                      I sang Tagore in my own way, at the age of eight, in front of horrified aunties who’d been singing Rabindra Sangeet the way it’s been sung for 50 years.

                      What is ethno-punk?
                      Ethno comes from my Indian classical roots and baul influences. Punk is an expression of my struggles and frustrations looking for independence as a woman in India. I conceptualised this with Paul Schneiter, a French drummer and producer, for my new outfit Tritha Electric.

                      Instruments you play?
                      In Tritha Electric, I play the electric guitar; use a looper and a delay-effects voice processor. My electric tanpura, the mandira, and some percussion are a constant presence. I also picked up a kazoo from Paris — it’s my mini saxophone.

                      How has travelling influenced you?
                      Living in Paris, jamming with underground jazz musicians and travelling around Europe for the last seven summers has helped me integrate African beats, trip-hop and punk in my original songs. I go back to Kolkata to rejuvenate my knowledge of classical Indian music.

                      Tell us about your song Pagli.
                      A sound engineer in Paris wanted to hear me rap in Bengali. I imagined myself as a madwoman in the streets of Kolkata, took on that role and started singing like her. I’m going to make an album of it adding more songs. A new pagli song is a punk one called Fish Market.

                      CS Bhagya

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