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  1. 14
    Camera iPhone
    ISO 64
    Aperture f/2.8
    Exposure 1/24th
    Focal Length 4mm
     
  2. 101
    Many eulogizers have prefaced their obits with “love him or hate him…,” but that’s not quite right. You both loved and hated Christopher Hitchens, as even when he wasn’t on your side—and even when he was on your side, yet still being a smug prick about it—you had to admire his tenacity and envy his eloquence. He was the best kind of intellectual: a brave one. (Also, one with whom you’d like to have a drink or three.) And our world is now far stupider without him.

    Sean O’Neal puts it nicely in The AV Club.

    In the end and at the end, Hitchens made me feel braver about most things, and especially non-existence, than any sermon ever could. 

    That is all. 

     
  3. 18

    Tim Daniel, the designer of Brian Michael Bendis’ Icon books and a number of Robert Kirkman’s titles (as well the PopGun website!), worked up this brilliant proof-of-concept design based off my open letter. 

    As far as I’m concerned, he’s hired! 

     
  4. 33
    A Moebius-t Proposal: An Open Letter to Marvel Comics

    UPDATE 03/11/2012: In light of this making the rounds again lately, I did want to clarify a couple things I failed to the first time. None of this is intended to imply I think I can do a better job than anyone over at Marvel. Their collected editions department does a fine job, especially with their impressive amount of output.

    Furthermore, no disrespect is meant to Mr. Pollard. His work’s mighty fine. I just think Moebius deserves a solo spotlight.

    image

    Dear Marvel Comics,

     For the majority of my life I’ve been a comics fan, regardless of where they’re produced. While I don’t know exactly how my passion for comics started, Marvel Comics were certainly always there since the beginning. Somewhere early along the line I also became completely enamored with the work of Jean ‘Moebius’ Giraud. I’ve noticed you are too! From your line of Epic reprints in the 90s, to various collaborations like the series of posters he did and the famed two-issue Silver Surfer: Parable. In fact, I’ve just become aware you’re bringing back Parable into print, which is why I’m writing to you today.

    I want to edit your reprint of Silver Surfer: Parable.

    I am willing to do this for free.

    Why would I waive my normal editorial fee for this project? It’s simple. I just want to see this done right. Giraud is one of the world’s true living comics masters and any work of his deserves a grander release than a reprint focusing on Silver Surfer. There’s a world-wide market for an edition along the lines of what I’m envisioning, melding together the story, art book and historical documentation.

    Instead of a monetary fee, I ask for the following:

    - Complete final edit, both of art and text, of the project, save for any input from Giraud and his estate. This also includes choosing paper stock for the project, within a reasonable budget.

    - Cancellation of the current hardcover, to be resolicited after a proper edit over the whole book and possible art restoration. The date will be agreed upon before hand, but will allow for the proper amount of time to do this book correctly. The project’s focus would shift from being a Silver Surfer-focused book to one including the Parable story, but also overlooking Moebius’ contributions to Marvel.

    - The right to remove the non-Moebius material and replace it with a number of other Moebius-produced art Marvel has at their disposal, as well as retrospectives and text pieces offering historical context to the piece.

    - Giraud receives first billing on the project ahead of any other collaborators. 

    - Marvel Comics will cover a budget to-be-determined for other business expenses involved with the book, such as the possible art restoration. This budget would include related expenses I might incur, such as a per diem for business dinners with agreed upon parties.

    - Input on how the book would be promoted, including the final title, ad design, etc.

    - 25 complimentary copies of each edition of the hardcover, including reprints and limited editions, if such are produced.

    In exchange you receive, free of my usual fees:

    - an Eisner & Harvey-award winning editorial skillset, which covers directly editing or overseeing thousands of pages of Image Comics’ PopGun and other projects including the Titan Books graphic novel One Model Nation, New Ultimates’ Frank Cho’s 50 Girls 50, and Avenging Spider-Man’s Ferran Daniel’s Turbo Defiant.

    - Decades of understanding of not only Moebius’ work, but also the French market as a whole and first hand experience of properly translating such works (such as my involvement in Image Comics best-selling Wonderful Wizard of Oz). 

    - an editor who is also more established than most American editors in the French market, having recently signed a multi-book deal with Delcourt and remains a regular writer for the number one French magazine on mainstream American comics, Comic Box. This also includes regular trips to the region, which I will largely incur travel expenses for, assuming Marvel covers expenses business including in-country travel unrelated to non-project business I have there.

    Of course, there will be more details and contracts to be nailed out, but I believe this adequately covers what I’m willing to do to see this project done right. I thank you for your time and look forward to hearing from you soon.

    Sincerely,

    Joe Keatinge

     
  5. 66

    This is a mockup of a listening kit for Yes and Also Yes. Unsure if I can manufacture ‘em. But, boy, wouldn’t it look handsome on a record store’s wall?

     
  6. 875

    Pond

     
  7. 13
    Camera Canon EOS 7D
    ISO 400
    Aperture f/10
    Exposure 2"
    Focal Length 455mm

    London Ontario, June 6, 2010, 4:58AM.

     
  8. 111
    Camera Nikon D90
    ISO 200
    Aperture f/7.1
    Exposure 1/50th
    Focal Length 24mm

    The Procession

     
  9. 167
    Camera Nikon D90
    ISO 200
    Aperture f/6.3
    Exposure 1/40th
    Focal Length 22mm

    Station 4

     
  10. 12
    Camera Canon PowerShot SX30 IS
    ISO 400
    Aperture f/3.5
    Exposure 1/25th
    Focal Length 43mm

    Unable to step away from the table… even if I wanted to. This is the real key to productivity.