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    Music Fan's Mic's Albums of the Year: Day 10

    65daysofstatic - We Were Exploding Anyway

    A move into euphoric post-electro paid dividends for Sheffield’s 65daysofstatic this year as they returned from three years in the wilderness, revitalised and raring to go. A world away from any of their previous records, ‘We Were Exploding Anyway’ was about as close to the band declaring a fresh start as it was possible to get.

    Out went the post-rock they had become known and loved for. Out went the nervous anxiety that had characterised their earlier work (in particular, ‘The Destruction of Small Ideas’). In came a complete acceptance of electronic music and a sense of palpable release. They even had vocals on two songs (make that three out of their entire career).

    They saved the best for last, too: closer ‘Tiger Girl’ is almost transcendental in nature, like nothing else they’ve done to date. The group sent out the message that they aren’t afraid to keep moving forward. The gradual progression that once defined their albums was abandoned. No-one could have foreseen just how much a progression this record would be. 65 have morphed an entirely different beast now, and this album was the perfect way to signal this monumental change. [GO’M]

    mp3sTiger Girl // Crash Tactics

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    1. 8
      • Tezeta (Nostalgia)
      • Mulatu Astatke
      • Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-1974
      Play

      fussyjazz:

      Mulatu Astatke — Tezeta (Ethiopiques Vol. 4: Ethio Jazz & Musique Intrumentale, 1969-1974)

      I am one of the few people I know who wasn’t bowled over by Bill Callahan’s last record, Sometimes I Wish We Were An Eagle. Across the board, most everyone I’ve talked to about it is smitten with it. Truly, I think his trio of albums leading up to it (Supper, A River Ain’t Too Much To Love and Woke on a Whaleheart) might just prove to be his hat trick of masterpieces [note: Supper and A River Ain’t Too Much To Love released under Callahan’s Smog moniker]. They also find Callahan in a better mood than we find him most times — er, as good a mood as we could hope for, a lot of credit probably going to his now-defunct romantic relationship with a one Joanna Newsom during which at least two of those records were made (Newsom plays on A River Ain’t Too Much…). On those three, his wordplay, composition and instrumentation are all spritelier. You can almost hear him grinning as the words come out. There’s nary a grin to be found on the latest record. That said, Sometimes I Wish We Were An Eagle contains some Callahan lyrics I oft-return to in my mind: “I used to be darker/Then, I got lighter/Then, I got dark again/Something too big to be seen/Was passing over and over me.” Nothing fancy here, just a cloud metaphor. But it gets you thinking about the chapters of your life, those times when it seems your stars have all aligned, you’re unbeatable; but also your down and out phases, your pricklier times. I feel the big shadow at the moment. Maybe it’s seasonal, astrological, etc. I’m just listening to “Tezeta” on repeat, trying not to look at the cloud, let it take its course. The stars have aligned, turned surpetine and are an orobourus circling all around us now. And I’m actually thinking about a Newsom song, “Go Long,” which makes some obvious allusions to Callahan’s return to darkness: “There’s a man/Who will only speak in code/Backing slowly, slowly down the road/May he master everything/That such a man may know/About loving, and then letting go.”

      An excellent post from my favorite blog of the last few months. A toast to keeping it real.

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      1. 1
        • Sharpen Your Spine
        • VESSL
        • Goddess
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        VESSL

        From NJ, VESSL’s new record Goddess (2010) is so good that I can’t decide which song to post. So here is the 1st song, ‘Sharpen Your Spine’.

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        1. 4
          • Killshot
          • Ben Frost
          • By The Throat
          Play

          Die, depression, die.

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